大约四年前，Erika与Willi购买了一座谷仓， 并希望亲自动手对其进行重大改造。但由于资金与自身技能有限，Erika与Willi无法对该建筑进行具有敏感性的评估，因此这项任务便由Piertzovanis Toews事务所承担下来。对于业主和建筑师来说，这个项目都是一次紧张而有益的旅程。
Almost four years ago, we started an experiment. Erika and Willi had bought a barn, willing to carry out a major alteration by themselves. The financial means for the conversion were limited, as were the owner‘s craft skills. A sensitivity for architectural issues could not be assumed. For both, the owner and the architects, this project has been an intense yet rewarding journey.
谷仓坐落在乡村环境中，周围环绕着Riesling和Chardonnay的葡萄园，并与一座18世纪的老磨坊形成了建筑群。虽然谷仓多年来经历了几次改造，但它的整体布局基本保持不变，外观也始终以厚厚的石墙，橡木框架和粘土屋顶瓦为特征。翻新过程开始于对木材进行仔细的喷砂处理，这项工作旨在恢复木材原有的纹理和色调，并了材料解结构内部的不同质量等级和损坏情况。
Located in a village surrounded by vineyards of Riesling and Chardonnay, the barn grew into an ensemble around an old mill from the 18th century. Although it has been altered several times, its overall layout remains largely intact, showcasing thick stonewalls, oak framework and clay roof tiles. The renovation process began with a careful sandblasting of the wood, revealing its original grain and hue, and learning about the different grades of quality and damage within the structure.
巨大屋顶下的L形空间最初是用来存放干草的，建筑师保留了该中心空间的高度差异和弯曲的屋顶桁架。改造后的建筑包含了四个不同颜色的部分，分别为：由黄色的框架结构与玻璃组成的半室外凉廊；占据了一个单独区域的绿色厨房；淡红色的楼梯间；以及通往庭院的淡紫色玻璃走道。
The L-shaped room under the huge roof was originally used to store hay. This central space retains its height differences and the warped roof trusses. It is now characterized by four differently colored houses in the house – the yellow loggia, which appears like a glass house on the inside, but whose interior belongs to the outside space; the green kitchen, which occupies a separate area; the pale red stairhouse and the lilac glass walkway to the courtyard.
新卧室位于L形体量的两端，位于中央的大空间得以完全开放。由于谷仓是受保护的建筑，几乎不可能设置新的开口。因此，建筑师采用了天窗的形式，为室内引入自然光线，新天窗沿着整个建筑的长度延伸，为室内营造出明亮温馨的氛围。内部窗户比现有的开口更大，使粗糙的旧砖砌成为室内氛围的一部分。
The new bedrooms are located the two far ends of the L, leaving the central big space completely open. As the barn is a listed building, new openings were hardly possible. Natural light fills the room mainly through the new skylight that stretches along the whole length of the building. Inner windows, larger than the existing openings allow the rough old brickwork to become part of the interior atmosphere.
除了暖气和窗户部分，每一个步骤都是由业主根据建筑师精心准备的插图手册，一步一步自己进行建造的。这其中的混乱，有时几乎让人想起巴斯特·基顿混乱的自建闹剧电影《一周》，但这也是“游戏”中的一部分。但即使是这种现学现做的过程，也证明了只要有时间和耐心，最终也会呈现出一个好的结局。
Other than the heating and the windows, every single step was carried out by the owners themselves, based on carefully prepared illustrated step-by-step manuals. Confusions, sometimes almost reminding of Buster Keatons chaotic self-building slapstick 《One Week》 were part of the game. But even if they seem to be inherent in such a build-after-instruction process, it turned out that with time and patience a luckier outcome than the destructive ending of the movie has been possible.
从几个世纪前铺设第一块采石场的石头到拍摄和手工打印改造后谷仓的照片，整个过程一直都是对手工工艺的赞颂，时间和手工形成的不规则和裂缝是对这座谷仓住宅最有意义的赞歌。
From laying the first quarry stones centuries ago to photographing and manually printing the images, the process has been a celebration of handcraft, highlighting its irregularities and cracks shaped by time and hand.
区位图&场地平面图 © Piertzovanis Toews
平面图 © Piertzovanis Toews
剖面图 © Piertzovanis Toews
立面图 © Piertzovanis Toews
项目名称 | Erika and Willi’s barn
Project Name | Erika and Willi’s barn
项目地址 | 德国阿尔比斯海姆市
Project Address | Albisheim,Germany
建筑面积 | 285 m²
Area | 285 m²
设计机构 | Piertzovanis Toews
Design Firm | Piertzovanis Toews
竣工时间 | 2024年3月
Completion | March 2024
项目摄影 | Simone Bossi
Photography | Simone Bossi
