孙晓云，生于南京。早年任教中央美院及苏大，养性修艺，诲人不倦。今膺中国书法家协会第八届主席，兼江苏省文联副主席、省书协主席，兼中国文联十一届全国委员会委员，中国书法家协会艺术委员会主任，中国职工书法家协会名誉主席之重。
Sun Xiaoyun hails from Nanjing. teached extensively in her early years to places like the Central Academy of Fine Arts and Soochow University, nurturing her spirit and art while tirelessly educating others. She now serves as the eighth president of the Chinese Calligraphers Association, also holding positions as vice-chairperson of the Jiangsu Federation of Literary and Art Circles, chairperson of the Jiangsu Calligraphy Association, a member of the eleventh National Committee of the China Federation of Literary and Art Circles, director of the Art Committee of the Chinese Calligraphers Association, and honorary president of the China Workers' Calligraphers Association.
孙晓云
孙晓云自幼咏怀“二王”之法，深研墨艺，诸体兼备，于传统与变革之道，孙氏如鱼得水。其笔法，若龙蛇飞动，行书尤为出群，流转似泉涌，不失古雅之风韵。师法自钟繇、颜真卿之隶，历苏轼、黄庭坚之行，至米芾、王铎之草，百家争鸣，百川入海，其书根基坚如磐石，承古启今。
行书领域，晓云女士尤其显著，承继魏晋之遒劲风骨，笔力雄健，字字珠圆玉润，逸出儒雅之风度，文墨交辉。于大字书法，更显深厚典雅，笔锋刚中带柔，既壮观又细腻，字如行云流水，常以之题碑立匾，垂示后代，获世人瞩目。
孙氏之书法，不惟融汇众家之长，亦创新意于传统之中，其作秀润而不失温雅，古拙中见宏伟，庙堂气象尽显。书中自有刚柔并济之美，孙氏独树一帜，风雅之中自成一派。于斯文之域，晓云以卓尔不群之才，开新意于墨海，书写不朽篇章。
From a young age, Sun Xiaoyun cultivated her art following the methods of the Two Wangs (Wang Xizhi and Wang Xianzhi), deeply studying the way of ink, proficient in all styles, and excelling in both tradition and innovation, like a fish in water. Her calligraphy flows like dragons and snakes in motion, particularly outstanding in running script, which flows like a bursting spring without losing the refined charm of antiquity. Her learning spans from the clerical script of Zhong Yao and Yan Zhenqing to the running script of Su Shi and Huang Tingjian, and the cursive script of Mi Fu and Wang Duo, embracing a confluence of various styles, as solid as rock in its foundation and bridging past and future.
In the realm of running script, Ms. Sun particularly excels, inheriting the vigorous and sturdy style of the Wei and Jin dynasties, with a powerful brushwork that renders each character round and lustrous, exuding a refined and scholarly demeanor and shining in the interplay of script and ink. In large character calligraphy, she displays profound elegance, with a brushstroke that is firm yet supple, both spectacular and meticulous, with characters flowing like clouds and water, often used for inscribing steles and plaques, drawing the gaze of posterity.
Sun's calligraphy not only integrates the strengths of various schools but also innovates within the tradition. Her works are graceful yet retain a warm elegance; within their simple appearance, grandeur is visible, fully exhibiting a majestic atmosphere. The beauty of her calligraphy lies in the harmonious blend of strength and softness, marking her unique style within the refined realm. In this scholarly field, Xiaoyun stands out with her exceptional talent, forging new ideas in the world of ink and scripting immortal chapters.
书坛星汉，晓云笔法独树，于艺海中，熠熠生辉。壬辰岁次，晓云携一幅《登高望远，长啸临风》，昂首兰亭艺术奖之阵，斯荣光一举成名，令书界骚然。此奖，乃书法三宝之一，与全国书篆展、林散之奖齐名，炙手可热，众妙之母也。
Among the luminaries of the calligraphy world, Xiaoyun's brushwork stands unique, shining brightly in the sea of art. In the year of Renchen, she presented her work "Aspiring to Greater Heights, a Long Roar Facing the Wind" at the Lanting Art Award, instantly gaining fame and causing a stir in the calligraphic community. This award is one of the three treasures of calligraphy, esteemed alongside the National Seal Engraving Exhibition and the Lin Sanzhi Award, highly coveted as the origin of all wonders.
晓云以墨韵独步，壬辰年中，展《登高望远，长啸临风》一幅，以墨场捷足兰亭，授艺匠之冠。此作，字字含章，笔笔生意。初字“登”，墨浓若夜，笔锋若刃，如幽谷烟气，穿纸而入，气势雄浑，严以修边。继“高”，章法独步，构字如画，质感由重而轻，动静得宜，观之如临绝顶，心神飘扬。又“望”，笔法洗炼，简中见繁，一挥而就，宛若山水间之长流，遐思无垠。
次及“远”，字变幻无穷，或流畅或停滞，如途经险径，笔锋顿挫，形态兼具刚柔。侧锋使“袁”字，力适中正，行书“辶”，折转自如，笔走龙蛇。继之“长”，习常破之，古法横折，变为点画，令字更显灵动而鲜明。复“啸”，笔走霄汉，挥洒自如，洋洋洒洒，豪情万丈。终至“临”，笔触轻盈，粗细有致，连绵不绝，显真章之美。末“风”，则革故鼎新，传统笔法另辟蹊径，动感十足，生意盎然。
晓云之艺道，以笔开新境，艺绩显赫，更兼教化，书法光大，育人无疆，传统与创新俱兴，使书之艺，益显深厚与清雅。古今融汇，笔落惊风雨，晓云之书，承古襄今，既彰显时代之气象，又绘不朽之篇章，于书法艺术之承继与兴盛，贡献良多。
With her unique charm of ink, in the year of Renchen, she exhibited "Aspiring to Greater Heights, a Long Roar Facing the Wind," swiftly capturing the crown at Lanting, bestowed upon master craftsmen. This work, every character full of meaning, every stroke brimming with life. Starting with the character "aspiring," the ink as dense as night, the brush as sharp as a blade, like mist in a secluded valley piercing the paper, the force magnificent, strictly defined edges. Following with "greater," the composition is unique, structuring characters like paintings, texture transitioning from heavy to light, dynamic and static balanced, as if standing at a peak with one's spirit soaring.
Then "heights," with refined brushwork, simplicity revealing complexity, executed in a single stroke, as if a long river flowing through a landscape, thoughts boundless. Next "long," the character transforming endlessly, smooth yet sometimes stagnant, as if navigating a perilous path, with sudden shifts in the brush, a form combining strength and softness. The side stroke forms the character "yuan," balanced and upright, the running script "walking," turning effortlessly, the brush moving like dragons and snakes. Following "roar," the brush travels through the heavens, free and unrestrained, resplendent and passionate. Finally "facing," the brushwork light yet precise, continuous without end, displaying the beauty of the true script. And "wind," innovating from tradition, finding new paths in traditional brushwork, full of dynamism and vibrancy.
Sun's artistic path opens new territories with her brush, her achievements remarkable, furthering education and magnifying the art of calligraphy, endlessly nurturing others. With both tradition and innovation flourishing together, her artistry shows profound depth and refinement. Integrating the past and present, her strokes astonish as they convey the spirit of the times, painting immortal chapters, contributing significantly to the inheritance and prosperity of calligraphic arts.
责任编辑：苗君
