Daslan因源于对世界的不同看法而诞生。Daslan was born out of a different view of the world.
品牌对于创始人而言，有如“另一个自己”，它讲述着创始人的经历和想法，将一些难以用言语表达的内容转化为具体的产品，以便于让人们能够更好地去了解他们背后的故事。
For the founder, the brand is like "another self", it tells the founder's experience and ideas, and transforms some of the difficult content into concrete products, so that people can better understand the story behind them.
巴西珠宝品牌Daslan，以多元文化为灵感，歌颂游牧风格的生活方式。品牌基调采用精确和简约的极简主义哲学，并通过纯粹的形式展现永恒的特性，重视细节，在精致之处找寻最真实的自己。
Daslan, a Brazilian jewelry brand, celebrates a nomadic lifestyle inspired by multiculturalism. The tone of the brand adopts the philosophy of precision and simplicity of minimalism, and shows the eternal characteristics through pure forms, pays attention to details, and finds the most authentic self in the exquisite place.
叙述 / 品牌 / 故事
NARRATE
Daslan珠宝品牌的创立与创始人Daniela Salles的经历和背景息息相关。她有着法国、乌拉圭和意大利的混血基因，幼时在墨西哥、瑞士和乌拉圭生活，十几岁时随家人移居巴西。结婚后，曾旅居纽约和巴黎，最后又回到了巴西的圣保罗。
The creation of Daslan Jewelry brand is closely related to the experience and background of founder Daniela Salles. She has a mixture of French, Uruguayan and Italian genes and lived in Mexico, Switzerland and Uruguay as a child before moving to Brazil with her family as a teenager. After marriage, she lived in New York and Paris, and finally returned to Sao Paulo, Brazil.
Daniela Salles
品牌创始人
Daniela Salles的职业生涯始于汽车行业，之后进入美国金融市场，源于从小对艺术的热爱，并且发现珠宝设计是填补学术背景、专业经验和世界观之间差距的一种方式。她将游历的认知和在汽车行业所学的机械工程与自然的有机形状、建筑的线条感和当代艺术相结合，赋予珠宝以生命力，使其看起来更像一件雕塑。
Daniela Salles began her career in the automotive industry before moving into the US financial market, born out of a love of art from a young age and finding jewelry design a way to bridge the gap between her academic background, professional experience and worldview. She combines her knowledge of travel and the mechanical engineering she learned in the automotive industry with the organic shapes of nature, the sense of line in architecture and contemporary art to bring the jewelry to life, making it look more like a sculpture.
设计 / 形式 / 融合
INTERIOR
这间展厅由Marina Salles设计，灵感来自Daniela Salles将有机形式和建筑高度地融合，设计出可穿戴式的雕塑般珠宝产品。展厅反映了珠宝与空间的内在关联，利用石材、木和金属唤起了创始人对传统游牧风格的向往。
Designed by Marina Salles, this showroom is inspired by Daniela Salles' highly integrated approach to organic form and architecture to create wearable sculptural jewellery products. The exhibition hall reflects the inherent connection between the jewelry and the space, and the use of stone, wood and metal evokes the founder's yearning for a traditional nomadic style.
探索 / 空间 / 材料
MATERIALS
Marina Salles 工作室似乎找到了珠宝与建筑的相似之处，尤其是实践过程中概念的转变。从这点来说，原材料与手工技能的结合则会创造出新的工艺品。与此同时，空间的表面以一种简约但不简单的方式重新定义了自然的内涵，并通过手工艺赋予其新的意义。
Marina Salles Arquitetura seems to have found similarities between jewelry and architecture, especially the conceptual shift in the course of practice. From this point of view, the combination of raw materials and manual skills creates new crafts. At the same time, the surface of the space redefines the connotation of nature in a minimalist but not simple way and gives it a new meaning through craftsmanship.
展厅的地板铺有Cumaru木材，而立面材料则是由Studio Passalacqua开发设计的矿物漆（水、泥土和天然颜料的混合物）——这种出发点是对沙子等当地材料表示一种致敬，同时使由Marina Salles设计的雕塑柜台成为了空间的视觉中心。
The floor of the exhibition hall is clad in Cumaru wood, while the facade is made of mineral paint (a mixture of water, earth and natural pigments) developed and designed by Studio Passalacqua -- a starting point that pays homage to local materials such as sand. At the same time, a sculptural counter designed by Marina Salles becomes the visual hub of the space.
雕塑柜台体现了稳定性和悬空感之间的平衡关系，它由一块洞石与相交的木结构组合而成，打破了一体的整石外观，并形成了悬空式的底座。不同材质的应用不仅增强了漂浮感，也形成了近乎诗意的结构特征。
Reflecting the balance between stability and suspension, the sculptural counter consists of a cavity stone combined with a intersecting wooden structure, breaking up the monolithic monolithic appearance and forming a suspended base. The application of different materials not only enhances the sense of floating, but also forms an almost poetic structural character.
所有家具两侧均设有抽屉，黄铜的把手隐喻着珠宝中的黄金。内部的展示托盘重现了建筑的形状和肌理，例如木板条，可以针对产品的大小进行了调整。室内采用泛光照明，避免阴影和玻璃的直接反射，而由Adriana Yazbek设计的Li Horizontal吊灯，光透过外部的Kozo（日本纸）照出，增添了一丝柔和的巴西韵味。
All furniture is flanked by drawers with brass handles that are a metaphor for gold in jewellery. Display trays inside reproduce the shape and texture of the building, such as wooden slats that can be adjusted for the size of the product. The interior is flooded with light to avoid direct reflections of shadows and glass, while a Li Horizontal chandelier designed by Adriana Yazbek shines through Kozo (Japanese paper) on the exterior, adding a soft Brazilian touch.
主厅的侧壁上，有一个专门用于客人小憩的内凹空间。框架的宽度与相邻门框的宽度相同，结构的外缘与门的高度一致。座椅和靠背均采用质朴的丝绸面料，营造舒适感。亚麻窗帘将客厅中来自露台的光过滤之后，变得更加柔和。
On the side wall of the main hall, there is a recessed space for guests to relax. The width of the frame is the same as the width of the adjacent door frame, and the outer edge of the structure is consistent with the height of the door. The seat and backrest are made of rustic silk fabric for comfort. Linen curtains filter light from the terrace in the living room and soften it.
露台是日常次要活动的主要场所，便于与不同供应商会面、交流。那里摆放着Fernando Prado设计的Canela桌子，以及巴西设计师Fernando Jaeger设计的Copa椅子和一张来自Zara Home的木制餐具柜。
The terrace is the main place for daily secondary activities, making it easy to meet and communicate with different suppliers. There are Canela tables by Fernando Prado, Copa chairs by Brazilian designer Fernando Jaeger and a wooden sideboard from Zara Home.
设计师办公室毗邻主厅，于此可以构思创意和举行私人会议。为了与其他空间调性保持一致，办公桌的木制品选用了Freijó木，同时为了与珠宝设计中一些圆弧的设计相呼应，把手也采用了环形设计。
The designer's office is adjacent to the main hall, where ideas can be conceived and private meetings held. In keeping with the tonality of the rest of the space, Freijo wood is used for the woodwork of the desk, while the handle is also looped in order to echo some of the circular designs in the jewelry design.
为了构建一个纯粹的整体形象，厨房采用Freijó木板折叠式开启系统。下部的橱柜沿用与通道门相同的表面处理工艺，而上部的一对搁板则用来存放玻璃或其他器皿。
In order to create a pure overall image, the kitchen uses a Freijo wood folding opening system. The lower cabinet uses the same finish as the access door, while the upper pair of shelves are used to store glass or other utensils.
同样的设计理念也延续到了其他地方，比如浴室也使用了Freijó橱柜和Travertino大理石台面。入口处的门把手、木制品和镜子都采用圆弧设计，回应着Aros珠宝系列所呈现的物理特征。
The same design concept has been carried over to other areas, such as the bathroom with Freijo cabinets and Travertino marble countertops. Doorknobs, woodwork and mirrors at the entrance are circular in design, responding to the physical character of the Aros jewelry collection.
对于Daslan来说，旗舰店非常重视顾客的购物体验，无论是选择天然的材料，还是尊重手工技艺的传承，都意在体现日常生活的幸福感受。从细节入手，在赋予空间“家”的氛围的同时，仍与“珠宝”本身有着千丝万缕的联系。
For Daslan, the flagship store attaches great importance to the shopping experience of customers. Whether it is choosing natural materials or respecting the inheritance of manual skills, it is intended to reflect the happiness of daily life. Starting from the details, while giving the space a "home" atmosphere, it is still inextricably linked with the "jewelry" itself.
