参展艺术家：张方白、封加樑、乐坚

开幕时间：2023.10.1 16：30

展览时间：2023.10.1-2023.11.1

地点：中国▪上海▪普陀区莫干山路50号4A-109

发行人：沃夫冈▪那爱（德国）

策展人：薛红艳（中国）

学术主持：马丁▪伦德尔（德国）

Participating artists: Zhang Fangbai, Feng Jialiang, and Le Jian

Opening time:16:30, October 10, 2023

Exhibition time: October 1, 2023- November 1, 2023

Adress：4A 109, No. 50 Moganshan Road,Putuo District, Shanghai, China

Publisher：Wolfgang Neu（Germany）

Curator：Xue Hongyan（China）

Academic Chair：Martin Rendel（Germany）

01

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艺术家简介（Artist Introduction）

封加樑

毕业于南京艺术学院美术学院油画专业，获学士学位

南京师范大学油画方向研究生，获硕士学位后留校任教 ，获美术学博士学位。

2001年俄罗斯弗拉基米尔师范大学访学

2015德国纽伦堡艺术学院高级访问学者

现任南京师范大学美术学院院长，教授，博士生导师

中国教育学会美术专委会常务理事

江苏省美术家协会理事

江苏省油画学会副主席

江苏省徐悲鸿研究会副会长

02

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艺术家作品（Artistic works）

佛像系列 86

Buddha Statue Series 86

油彩 Oil Painting

90x80cm

封加樑 Feng Jialiang

2014

佛像系列 80

Buddha Statue Series 80

油彩 Oil Painting

70x90cm

封加樑 Feng Jialiang

2014

佛像系列 88

Buddha Statue Series 88

油彩 Oil Painting

80x60cm

封加樑 Feng Jialiang

2015

佛像系列 90

Buddha Statue Series 90

油彩 Oil Painting

60x50cm

封加樑 Feng Jialiang

2016

佛陀 1

Buddha 1

纸本水墨 Ink on paper

17X25cm

封加樑 Feng Jialiang

2022

佛陀 2

Buddha 2

油彩 Oil Painting

17X25cm

封加樑 Feng Jialiang

2022

显然，在三位艺术家中，封加樑先生的作品里中国文人气息最为浓厚，但他却勇敢地从中破茧而出。封加樑先生的作品和其本人非常吻合，初见他，一身黑色，玉树临风，声音特别温和，谈吐没有多余的废话。然，其腰间的皮带非常具有质感，实为一点亮色，更加凸显了他本人的气质，与他深沉简练的话语如出一辙。封加樑先生的作品也同样如此，看上去非常简洁，笔触不繁琐，几乎没有多余的画语，但总有一个角落或细节会点燃观者的触觉。封加樑先生选择了“佛”作为表现的载体，削减了所有可有可无的元素，留存了“佛”若有若无的形象，在佛的形态上采用了非常细腻幽暗的若干个高级灰色，并在其周围添加了一些影影绰绰的笔触和无形，渲染了东方文化的博大与空灵，凸显强化了东方的精神取向，非常具有“佛性与诗性”。所以，表现，不只是奔放的，也可以很含蓄，很精炼，很东方。

不少出生于江南的艺术家在其作品中总会有非常浓重的“江南意蕴”，所谓的“人文气息”也很重。封加樑先生作品中把“江南人文气息”在“有意无意”间融入了骨子里，透出清亮的气息。似有似无，有意无意，隐隐绰绰，抽象空灵，传承写意，并留下了诸多意味深长的空白，黑白相间，构成了浓重的有中国味道的表现，这应是封加樑先生作品的经典之处。在不经意之间，表现了一种本土的文化力量。（作者/薛红艳）

Obviously, among the three artists, Mr. Feng Jialiang's works have the strongest flavor of Chinese literati, but he bravely breaks through the cocoon.Mr. Feng Jialiang's works are very consistent with his own personality. When I first met him, he was dressed in black, with a jade tree and a gentle voice, and there was no unnecessary nonsense in his speech.However, the belt around his waist is very textured, which is actually a bright color that highlights his own temperament, just like his deep and concise words.The same applies to Mr. Feng Jialiang's works, which look very simple, with simple strokes and almost no unnecessary language. However, there is always a corner or detail that ignites the viewer's sense of touch.Mr. Feng Jialiang chose "Buddha" as the carrier of expression, reducing all unnecessary elements and retaining the image of "Buddha" as if it were something or nothing. He used several delicate and dark high-level grays in the form of Buddha, and added some subtle strokes and invisibility around it, rendering the vastness and emptiness of Eastern culture, highlighting and strengthening the spiritual orientation of the East, which is very "Buddhist and poetic".So, performance, not only bold, can also be very implicit, refined, and Eastern.

Many artists born in Jiangnan always have a strong "Jiangnan meaning" in their works, and the so-called "humanistic atmosphere" is also very strong.In Mr. Feng Jialiang's works, the "cultural atmosphere of Jiangnan" is integrated into the bones, both intentionally and unintentionally, exuding a clear and refreshing atmosphere.Seemingly absent, intentionally or unintentionally, vaguely vague, abstract and ethereal, inheriting freehand brushwork, and leaving many meaningful gaps, black and white alternating, forming a strong Chinese flavor of expression, which should be aic feature of Mr. Feng Jialiang's works.Unconsciously, it expresses a local cultural power.（Writer/Xue Hongyan）

03

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开幕场景花絮（Opening Scene Gags）